Nicholas Murray |
|
This page was updated 14 April 2008 |
A Walk Around My Books Thank you for joining me on this quick stroll through my twelve titles, listed over to the right here. The
story begins in 1993 when, after having published poems, articles,
essays and reviews in a range of newspapers and magazines my
first book was published. Its title was Bruce Chatwin
and it was issued by the leading Welsh literary publisher Seren in a
series edited by the poet and critic John Powell Ward called
"Borderlines". The series was devoted to writers who had a
connection with the landscape of the Welsh Marches where I was then
living and Bruce Chatwin - then at the height of his fame - was
included on the strength of his novel, On the Black Hill.
Because of Chatwin's fame, together with the fact that the official
biography by Nicholas Shakespeare would take another decade to appear,
my book did very well and had the field more or less to itself for ten
years.
My
next book, published three years later in 1996, was a biography of the
Victorian poet and critic, Matthew Arnold. The great Arnold
scholar, Kenneth Allott, who taught me at Liverpool University, first
woke my interest in Arnold
This
was followed in 1997 by a short publication from the British Library,
the text of a lecture given in 1997 while I was Gladys Krieble Delmas
Fellow at the Library's Centre for the Book. In this lecture I
made connections between Arnold's writings on culture and the current
state of British culture. It was the first of several essays and
reviews I wrote around this time on the same subject. It won't be
the last.
My next biography appeared in 1998 and was titled World Enough and Time: The Life of Andrew Marvell.
Another personal passion, Marvell's poetry had delighted me since I was
an undergraduate and, challenging as it was to write the life of a poet
so full of mystery and whose life lacked documentation for key periods,
the book was well recieved. The fearsome critic Eric Griffiths in
the Evening Standard wrote: "Nicholas Murray persuasively conveys the perpetual alertness of the man and his work."
My next book was quite unpredicted (especially by me!). Having produced three intensively-researched literary biographies I suddenly found myself wanting to release a more personal and creative vein of writing and so A Short Book About Love appeared in 2001. It was a deliberately unusual book, mixing fact and fiction, and combining three elements: reflections from literature and philosophy on the theme of love, autobiographical passages, and a light-hearted re-working of the Tristan and Iseut legend. It was meant to be light and funny but very serious at the same time and the reviewers seem to have liked this "ludic" interlude. Boyd Tonkin in The Independent said "this multi-faceted little jewel is a reader's delight" and The Independent on Sunday called it "profound, warm and witty". The writer and critic Paul Binding said that it was "reminiscent of Kundera and Theodore Zeldin, but owing nothing to anybody but himself".
My next book was a return to biography and Aldous Huxley: An English Intellectual was published in 2002. Jeanette Winterson in The Times
wrote the most enthusiastic review: "The research is immaculate...the
writing is lively and sympathetic...this excellent biography has come
at the right time." John Gray, in The New Statesman called it "Wonderfully balanced and unfailingly interesting." It was shortlisted for the Marsh Biography Prize.
My second novel followed in 2003 and it was called Remembering Carmen,
a story of love, betrayal and loss set in London's Fitzrovia. "As
a treatise on the nature of romantic passion, this book succeeds
brilliantly," wrote the Independent on Sunday while the Times Literary Supplement said that the book's evocation of an "unarticulated disquiet...is Nicholas Murray's most enduring accomplishment in Remembering Carmen."
A new 48 page collection of poems followed in 2006 from Rack Press. A poem from the collection was featured in the Independent on Sunday "Sunday Poem" feature on 22 January 2006. Sarah Crown in the Guardian Review
on Saturday 29 April praised the collection's "quick, vivid snapshots
of nature" and the "moments of real style that [Murray's] clear sense
of internal rhythm and strong feeling for the well-honed phrase
produce".
2008
is Liverpool's year as European Capital of Culture and since it is my
native city I decided to write a book about Liverpool, the writers down
the centuries who had described it and responded to it, and my own
memories of a 1950s and 1960s childhood. So Spirited a Town: Visions and Versions of Liverpool has just been published.
Hot
on its heels came my book about the Victorian travellers and explorers,
also just published, marking a slight change of direction away from
literary biography towards wider group portraits of a period but still
using the biographical approach. ![]() And what next...? Let's wait and see.
|
|
Plausible Fictions (1995). Rack Press [poems]. A Life of Matthew Arnold (1996) Hodder & Stoughton (London); St Martin's Press (USA). After Arnold: Culture and Accessibility (1997). The British Library, Centre for the Book. World Enough and Time: The Life of Andrew Marvell (1999) Little, Brown (London); St Martin's Press (USA). A Short Book About Love (2001). Aldous Huxley: an English Intellectual (2002) Remembering Carmen (2003) Kafka (2004) The Narrators (2006) So Spirited a Town (2007) A Corkscrew is Most Useful: The Travellers of Empire Spirited a Town (2008)
Other Contributions Art for All? Their Policies and Our Culture (2000) _____________ And on a lighter note... Nicholas Murray was a regular contributor in the 1980s and 1990s to the New Statesman Weekend Competition, the Independent Magazine competition and others. This dedicated pursuit of literary frivolity resulted in occasional brief contributions to titles such as Bindweed's Bestseller edited by David Godwin and the title below edited by Gavin Ewart: Other People's Clerihews (1983)
|
|